At Casa Fràra in Ferrara, Punto Zero sets rediscovered frescoes and timber ceilings against a brass staircase, walnut and marble. Discover the contrast.

We have a soft spot for designers who approach historic renovations with a degree of creative irreverence, treating the past as a living presence robust enough to withstand contrast, surprise and even a little theatricality. Casa Fràra, a two-storey apartment in the historic centre of Ferrara renovated by Rome-based architects Punto Zero, belongs firmly to this camp. Instead of tempering their intervention to match the building's age, the architects set its exposed timber ceilings and rediscovered frescoes against glossy brass, sculpted joinery and crisp contemporary forms, creating what they describe as “a narrative made of dissonant and unexpected accents”.
The project’s defining gesture is the double-flight staircase clad entirely in brass. Conceived as a scenic architectural device more than a purely functional one, it threads its way through the apartment, lending the historic interior an unexpectedly cinematic quality. Brass wraps the treads and risers, lines the stairwell and extends into the living area as a suspended shelf embracing the partition wall. Punto Zero partner Arianna Nobile describes it as “a sort of golden tunnel” that emerges from the stairwell, becoming first an entrance niche and then a gleaming object before continuing into the sleeping quarters above.

Photography © EllerStudio.

Photography © EllerStudio.

Photography © EllerStudio.

Photography © EllerStudio.
This bold insertion establishes a material language built on contrast. European walnut parquet brings depth and warmth underfoot, laid in French herringbone across the public spaces on the lower level, where the living room, dining room and kitchen are arranged in enfilade, and in straight planks throughout the private quarters upstairs. Between rooms, extra-hard Pietra Serena stone wraps the floor threshold, upper lintel and vertical jambs, turning each passage into a sharply delineated architectural gateway.
In the living room, a slim bespoke console carved from a monolithic block of Guatemala green marble anchors the rediscovered fresco, its vibrant hue lending visual weight to the delicate wall painting above. Marble also plays a prominent role in the bathrooms: Calacatta Oro defines the principal bathing area, while Carrara Arabescato lines the powder room, their expressive grey-on-white veining offset by brass and matte-black fixtures respectively.

Photography © EllerStudio.

Photography © EllerStudio.
This interplay of contrasts extends to the furnishings. In the living room, contemporary pieces characterised by a playful minimalism such as Patricia Urquiola’s Sengu Bold Sofa for Cassina and Verzelloni’s low-slung Zoe Armchair are paired with modernist lighting icons, including Achille and Pier Giacomo Castiglioni’s Arco Floor Lamp and Paolo Rizzatto’s 265 Wall Lamp, both by FLOS. In the adjoining dining room, a traditional dark-wood dining suite and vintage glass chandelier retain the formality of a historic Ferrarese residence, while the kitchen is centred on a monolithic white island whose richly veined surface lends its restrained form an almost sculptural presence.

Photography © EllerStudio.

Photography © EllerStudio.
Upstairs, housed within the building’s attic, the private rooms take on a quieter atmosphere. The bedroom, dressing rooms, study and bathroom suite unfold beneath the sloping timber roof, where strategically placed skylights draw daylight between the exposed beams and accentuate the volume’s irregular geometry. A slatted timber headboard, fluted-glass doors, integrated storage and crisply detailed vanities introduce contemporary precision without diminishing the tactile warmth of the historic structure.
The result is precisely the "warm, anti-minimalist, almost theatrical environment" the clients requested. At Casa Fràra, heritage and contemporary design spar, reflect and amplify one another, and the dwelling is all the more alive for it.

Photography © EllerStudio.

Photography © EllerStudio.

Photography © EllerStudio.

Photography © EllerStudio.

Photography © EllerStudio.
| # | Наименование новости | Тональность | Информативность | Дата публикации |
|---|---|---|---|---|
| 1 | PDLL70: Studio Plutarco Reimagines a 1934 Madrid Villa as a Manifesto for Colour and Form | 0 | 15.12 | 22-06-2026 |
| 2 | Aurora Hotel, Merano: Hannes Peer Layers Cinematic Modernism Into Six Decades of Family History | 0 | 9.76 | 17-07-2026 |
| 3 | Casa Ideale: Luca Pronzato Turns a 1970s Villa in Arles into a Hybrid Hospitality Concept | 0 | 6.49 | 12-06-2026 |
| 4 | Ca la Carolina: Lacol and Altura Arquitectes Renew an 18th-Century House in Rural Catalonia | 0 | 5.52 | 07-06-2026 |
| 5 | Lukas Bobotis Turns a Compact Plot in Athens into a Vertical Family Home | 0 | 9.17 | 23-07-2026 |
| 6 | SHA-LA Waterfront Brings Yoga to a 19th-Century Grain Storehouse in Berlin's Kreuzberg | 0 | 9.79 | 07-07-2026 |
| 7 | La città entra in casa | 0 | 6.28 | 13-07-2026 |
| 8 | Casa Iriarte by SOCO Estudio Reworks a Narrow Las Palmas Plot Into an Adaptable Concrete Home | 0 | 4.77 | 12-07-2026 |
| 9 | red microcement pairs with onyx marble to reframe brutalist barcelona duplex | 0 | 7.67 | 25-07-2026 |
| 10 | Designed for the next chapter | 0 | 15.82 | 24-07-2026 |