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NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

Дата публикации: 15-04-2026 17:00:00

Artists Christian Rebecchi and Pablo Togni have a knack for bringing the immensity of nature to developed urban spaces.
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Artists Christian Rebecchi and Pablo Togni, who work as NEVERCREW, have a knack for bringing the immensity of nature to developed urban spaces. Their colorful, large-scale murals take a playful tack when it comes to portraying animals, often merging them with other objects such as instant photos or, most recently, a plastic punch-out toy. “Souvenir,” completed this year in Vienna, combines motifs of a large bear with other Arctic components, such as icebergs, a seabird, and a steamship.

“The natural environment appears transformed, filtered, made artificial: it is no longer a space experienced through relationship, but a distant construction,” the artists say in a statement. The work is “almost a simulation reflecting a perception of nature progressively emptied of empathy…Nature becomes something to observe, arrange, organize, as if it were a separate object rather than a system of which we are an integral part.”

a large mural by Nevercrew of a number of grizzly bears gathered around a Polaroid picture of a tree in a forestDetail of “Bracketing”

Over the past few years, NEVERCREW has completed numerous architectonic paintings that depict the fragile balance between humanity and nature—specifically wildlife. Whales, bears, and elephants are depicted inside of terrariums or bundled into fabrics.

The animals’ very presence on the side of buildings, where they are contained within the bounds of the architecture, is a reminder of the tensions between—one might even say the incongruousness of—daily human activities and city infrastructure. For Rebbechi and Togni, bringing nature into these spaces highlights the importance of sustaining the relationship between humankind and nature.

See more on the artists’ Instagram.

a pair of murals on the sides of white buildings by Nevercrew“Bracketing” (2021), diptych, Jarville-la-Malgrange, Nancy, France. Curated by LeMur Nancy a detail of a large mural by Nevercrew of a number of grizzly bears gathered around a Polaroid picture of a tree in a forestDetail of “Bracketing” a large mural by Nevercrew of a number of blue whales swimming around a Polaroid photo of an icebergDetail of “Bracketing” a mural by Nevercrew of blue whales inside of an upside-down terrarium“Gravity” (2021), Le Locle, Switzerland, for Exomusée a mural by Nevercrew of an elephant inside of a toy terrarium“Switch” (2024), Wuppertal, Germany, for Urbaner Kunstraum Wuppertal, curated by Valentina Maoilov a detail of a mural with a large key, shown for scale next to a personDetail of “Switch” a detail of a mural by Nevercrew of an elephant inside of a toy terrariumDetail of “Switch” a mural by Nevercrew of a grizzly bear inside of an upside-down terrarium“Wire” (2023), Paradiso, Switzerland. Organized and curated by Freefox Architecture Studio a detail of a mural by Nevercrew of a punch-out plastic toy featuring a blue bear, a ship, animal heads, and other detailsDetail of “Souvenir” a detail of a mural by Nevercrew of a punch-out plastic toy featuring a blue bear, a ship, animal heads, and other detailsDetail of “Souvenir”

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